{"id":2821,"date":"2026-07-31T15:29:37","date_gmt":"2026-07-31T15:29:37","guid":{"rendered":"https:\/\/billedmagasinet.dk\/?p=2821"},"modified":"2026-07-31T15:48:56","modified_gmt":"2026-07-31T15:48:56","slug":"blueslegende-indtog-amfiscenen-ved-haderslev-fjord","status":"publish","type":"post","link":"https:\/\/billedmagasinet.dk\/?p=2821","title":{"rendered":"Blueslegende indtog Amfiscenen ved Haderslev Fjord"},"content":{"rendered":"

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Kenn Lending har spillet med de st\u00f8rste blues navne p\u00e5 scener over det meste af verden.
Han spillede en lang \u00e5rr\u00e6kke med Champion Jack Dupree, og andre store navne.<\/strong><\/p>\n

<\/strong><\/p>\n

<\/strong><\/p>\n

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global_colors_info=”{}”][\/et_pb_image][et_pb_image src=”https:\/\/billedmagasinet.dk\/wp-content\/uploads\/2026\/07\/DSC_8619x-1-scaled.jpg” title_text=”DSC_8619x” _builder_version=”4.27.7″ _module_preset=”1cc6152f-565c-4c4d-b0c9-cf8c9576c341″ border_radii=”on|6px|6px|6px|6px” box_shadow_style=”preset3″ box_shadow_vertical=”40px” box_shadow_blur=”112px” box_shadow_spread=”-24px” box_shadow_color=”rgba(0,0,0,0.12)” locked=”off” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.18.0″ _module_preset=”73121f80-a3ef-4484-8763-c3f18e3c56d2″ custom_padding=”5%||5%||true|false” custom_padding_tablet=”0%||0%||true|false” custom_padding_phone=”0%||0%||true|false” custom_padding_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_heading title=”musik i smukke omgivelser” _builder_version=”4.27.7″ _module_preset=”c33f07d9-41e0-421a-8799-5799df695cce” title_level=”h2″ title_font=”Abril Fatface|Abril Fatface_weight|||||||” 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Kenn Lending kalder for \u00f8vrigt sin musik for Afro-Amerikansk, men blandt menigmand vil han sikkert altid fremst\u00e5 som Bluesguitaristen Kenn Lending.<\/p>\n

Rune Robert Friis er bassist i Kenn Lending Band, og torsdagens optr\u00e6den p\u00e5 den intime Amfiscene i de sk\u00f8nne omgivelser ved fjorden, var duoens debut.<\/p>\n

At man overhovedet kan tiltr\u00e6kke musikere af denne kaliber, skyldes til dels at de begge bor i n\u00e6romr\u00e5det,
men ogs\u00e5, at de s\u00e6tter gl\u00e6den ved at spille, til et fornuftigt honorar, h\u00f8jere end jagten p\u00e5 tophonorarer.<\/p>\n

Kenn og Rune havde set frem til deres debut som duo, \u201dp\u00e5 hjemmebane\u201d, – og forventningerne blev i den grad indfriet, fortalte de efterf\u00f8lgende til dette medies udsendte.<\/p>\n

<\/strong><\/p>\n

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Billedmagasinet anmelder ikke koncerter. Det er der nok af mavesure musikanmeldere der g\u00f8r.
Vi fors\u00f8ger i stedet at fange et par pletskud af kunstnerne, og ikke mindst publikum.<\/strong><\/p>\n

Jeg m\u00e5 straks erkende, at jeg ikke kender meget til dagens genre: Blues, African-American music. – Jeg er en gammel Popdreng: Elvis, Cliff, The Beatles og mange flere, s\u00e5 er alt vel sagt, – men jeg n\u00f8d i den grad musikken og ikke mindst omgivelserne ved fjorden.<\/p>\n

Kenn Lending Biografi<\/strong>
Kenn Lending, Skandinaviens mest sejlivede og legendariske bluesmester, som i 2025 kunne fejre sin 70 \u00e5rs
f\u00f8dselsdag, har i over 50 \u00e5r v\u00e6ret en institution i Danmarks og Nordens musikmilj\u00f8. F\u00f8rst som guitar ace bl.a.
i det legendariske latin funk band Himmelexpressen og fra 1980 med hans eget Kenn Lending Blues Band.
Siden 1980 har dette band spillet tusindvis af succesfulde koncerter i ind- og udland, hvor humor, alvor,
virtuos spillegl\u00e6de og et pakket dansegulv, har v\u00e6ret faste ingredienser.
Kenn\u2019s filosofi er enkel og effektiv: Blues er som et sprog man m\u00e5 tilegne sig, for at kunne fort\u00e6lle sin egen
personlige historie. Kenn\u2019s egne sange har derfor fyldt godt op, b\u00e5de p\u00e5 KLBB’s 13 albums og p\u00e5 bandets
repertoire. Sangene henvender sig ligeledes til alle som holder af den afro-amerikanske musiktradition og
Kenn henter inspiration i n\u00e6rmest hele dennes palet af stilarter og grooves, med en umiskendelig personlig
sound, uden nogensinde at miste den bl\u00e5 tone, han i en menneskealder har v\u00e6ret kendt og elsket for. Bandet
er ligeledes en kreativ legeplads, hvor de fantastiske musikere, som han altid har omgivet sig med, har
optimal mulighed for, at improvisere og pr\u00e6ge musikken med deres indlevende virtuositet og personlighed.
Derfor er to koncerter med KLBB aldrig helt ens.
Kenn fik den traditionelle “blues-mesterl\u00e6re” igennem sit lange venskab og samarbejde med bluessangeren
og barrelhouse-pianisten Champion Jack Dupree, f\u00f8dt 1909 i New Orleans. Fra 1978 og til Jack Dupree’s d\u00f8d i
1992, spillede duoen over 1000 koncerter i 35 lande og stater i Europa, Afrika og Nordamerika. Deres n\u00e6rmest
symbiotiske sammenspil kan h\u00f8res p\u00e5 mere end 20 pladeindspilninger.
Kenn Lending har udgivet 13 albums i eget navn, og medvirker p\u00e5 langt over 20 albums med amerikanske
kunstnere som Champion Jack Dupree, Memphis Slim, Mickey Baker, Louisiana Red, Luther Allison, Aron
Burton, Janice Harrington, Lillian Boutt\u00e9 og det amerikanske rockband “The Band”. Vinyl debuten havde han
allerede i 1976, med latin funk bandet Himmelexpressen, som han spillede med og komponerede til, fra 1972
til 1979.
Selvom Kenn m\u00e5ske p\u00e5 papiret n\u00e6rmer sig sidste salgsdato, har han bestemt ikke skruet ned for hverken
tempoet eller spillegl\u00e6den. Han vil stadig gerne ud at m\u00f8de publikum og spille den musik han elsker i mange
\u00e5r endnu. Musik, der tr\u00e6kker p\u00e5 en tradition, hvor en sejrsf\u00f8lelse over m\u00f8rke og angst, skaber en stemning af
optimisme, fest og gl\u00e6de, som vi har s\u00e5 meget brug for i disse tider. Kenn er ogs\u00e5 stadig den friske og glade
spillemand, som elsker at give sit publikum alt hvad den kan tr\u00e6kke, og han gl\u00e6der sig lige s\u00e5 meget til hvert
eneste koncert, som han altid har gjort.<\/p>\n

<\/strong><\/p>\n

 <\/p>\n

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quote_font=”Abril Fatface|Abril Fatface_weight|||||||” quote_text_color=”#0e0c19″ header_font=”Abril Fatface|Abril Fatface_weight|||||||” header_text_color=”#0e0c19″ header_font_size=”72px” header_line_height=”1.15em” header_2_font=”Abril Fatface|Abril Fatface_weight|||||||” header_2_text_color=”#0e0c19″ header_2_font_size=”50px” header_2_line_height=”1.2em” header_3_font=”Abril Fatface|Abril Fatface_weight|||||||” header_3_text_color=”#0e0c19″ header_3_font_size=”32px” header_3_line_height=”1.3em” header_4_font=”Abril Fatface|Abril Fatface_weight|||||||” header_4_text_color=”#0e0c19″ header_4_font_size=”24px” header_4_line_height=”1.4em” header_5_font=”Abril Fatface|Abril Fatface_weight|||||||” header_5_text_color=”#0e0c19″ header_5_font_size=”18px” header_5_line_height=”1.4em” header_6_font=”Abril Fatface|Abril Fatface_weight|||||||” header_6_text_color=”#0e0c19″ header_6_line_height=”1.5em” custom_margin=”||||false|false” custom_padding=”5px|||||” text_font_size_tablet=”15px” text_font_size_phone=”14px” text_font_size_last_edited=”on|phone” header_font_size_tablet=”40px” header_font_size_phone=”24px” header_font_size_last_edited=”on|desktop” header_2_font_size_tablet=”28px” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|phone” header_3_font_size_tablet=”22px” header_3_font_size_phone=”17px” header_3_font_size_last_edited=”on|phone” header_4_font_size_tablet=”18px” header_4_font_size_phone=”15px” header_4_font_size_last_edited=”on|tablet” header_5_font_size_tablet=”15px” header_5_font_size_phone=”14px” header_5_font_size_last_edited=”on|desktop” header_6_font_size_tablet=”13px” header_6_font_size_phone=”13px” header_6_font_size_last_edited=”on|desktop” global_colors_info=”{}”]<\/p>\n

Tak Haderslev for en dejlig dag i godt selskab, – og tusind tak fordi I havde lavet en kaffebar med egne krus, til mig.<\/strong><\/p>\n

Jeg sludrede lidt med den s\u00f8de unge kvinde, med mit efternavn p\u00e5 T-shirten, og spurgte hvad hun hed.
Esther, svarede hun. Jeg m\u00e5bede, – det var min salig mors navn. \u2013 Der er m\u00e5ske mere mellem himmel og jord.<\/strong><\/p>\n

Men facts er at jeg bes\u00f8ger kaffebaren ved lejlighed.
Indehaveren Hans, er garanteret efterkommer af en af min fars f\u00e6tre.<\/p>\n

Dagens koncert var en af de 42 events der l\u00f8ber af stablen fra medio maj til medio september under f\u00e6llesn\u00e6vneren Liv p\u00e5 Havnen.<\/strong><\/p>\n

Jane Terp er <\/strong>projektkoordinator for Events & Outdoor-udvikling – Kultur & Fritid \u2013 Haderslev Kommune.<\/strong><\/p>\n

<\/strong><\/p>\n

<\/strong>Hvad hun har stablet p\u00e5 benene p\u00e5 rekordtid, – p\u00e5 et yderst skrabet budget, er intet mindre end imponerende.<\/p>\n

Jane Terp er kontraktansat og hendes kontrakt udl\u00f8ber inden l\u00e6nge, – men hvis Kommunen ikke forl\u00e6nger samarbejdet med denne sprudlende ildsj\u00e6l, – s\u00e5 er jeg lige ved at sige, at de har fis i kasketten<\/p>\n

 <\/p>\n

 <\/p>\n

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Kenn Lending har spillet med de st\u00f8rste blues navne p\u00e5 scener over det meste af verden.Han spillede en lang \u00e5rr\u00e6kke med Champion Jack Dupree, og andre store navne. Kenn Lending kalder for \u00f8vrigt sin musik for Afro-Amerikansk, men blandt menigmand vil han sikkert altid fremst\u00e5 som Bluesguitaristen Kenn Lending.Rune Robert Friis er bassist i Kenn […]<\/p>\n","protected":false},"author":1,"featured_media":2792,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,6,12],"tags":[],"post_folder":[],"class_list":["post-2821","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur","category-musik","category-artikl","et-has-post-format-content","et_post_format-et-post-format-standard"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/billedmagasinet.dk\/wp-content\/uploads\/2026\/07\/DSC_8638x-1-scaled.jpg","_links":{"self":[{"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=\/wp\/v2\/posts\/2821","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2821"}],"version-history":[{"count":4,"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=\/wp\/v2\/posts\/2821\/revisions"}],"predecessor-version":[{"id":2827,"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=\/wp\/v2\/posts\/2821\/revisions\/2827"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=\/wp\/v2\/media\/2792"}],"wp:attachment":[{"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2821"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2821"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/billedmagasinet.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fpost_folder&post=2821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}